THE MODERN MINT BLOG

May06

Vulnerability

We have spoken of how gardening can teach us about having the confidence to fail, and we would like to continue to explore these themes. Because gardening can be the catalyst for something even stronger – the ability to be vulnerable.

Every time a designer expresses their idea to a client, they open themselves to ridicule. But this is the job of the professional designer, to express what could be. Or those people who work so hard to open up their gardens to visitors in order to raise money for charity. They are doing the same thing, expressing the ideas they have about the world. And they use this incredibly clunky method to do it, called ‘gardening’, where so much is out of their control. You wander what makes them do it this way – when they could craft a book or go to a studio and record a song, spending hours chasing perfection and making sure it is just right before anyone gets to read or hear it.

But the best work doesn’t happen that way. The best work is done be people who allow themselves to be vulnerable, who have ‘the courage to be imperfect’ as Brene Brown told us in her Ted talk (see below.)

And with gardening, you have to learn the art of imperfection. You have to learn to let go, to allow nature to take its own course. So perhaps it is easier for gardeners to produce great gardens – with a book or a recording an artist can search forever to discover the tools to get it right, but built within the very fabric of this clunky method of expression called ‘gardening’ is an out – perfection is impossible, so go for it knowing you will always come up short. It becomes a releasing technique, a move towards freedom. Maybe that is why so many artists become gardeners…?

They cannot be judged by the same parameters as within their other craft?

We hope you will embrace vulnerability, whatever it is you do – whether you create works of art, love someone, kick a football, speak up when all is quiet, or grow dahlias as gifts for your friends and the friends of friends. As Brene Brown says about the people she researched…

“…the other thing that they had in common was this: They fully embraced vulnerability. They believed that what made them vulnerable made them beautiful. They didn’t talk about vulnerability being comfortable, nor did they really talk about it being excruciating… they just talked about it being necessary.”

 

 

 

Nov06

Clipsham Yew Tree Avenue

With Chris Poole of the European Boxwood and Topiary Society we visited Clipsham Yew Tree Avenue in Rutland. Do you know it? Amazing place! Chris and I were teaching a topiary workshop in order to give local people the skills and technique, and tenacity! to help with the pruning of the avenue and elevate it to something even more special than it already is. Read more about the workshops here. We hope to run a further workshop in September 2026, as well as teach an advanced course too. Check the teaching page through the year as it will be updated …

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Nov06

Aesthetic Pruners Association – New Talk In December

An organisation I love and have been learning lots from in the last two years is the Aesthetic Pruners Association based in the USA. Sharing knowledge with them about clipping and the overlap – and differences! – in style is something worth exploring, so I recommend a visit to their website and to join onto their events and talks, which are all on Zoom meaning you can access them from anywhere in the world. No excuse not to learn! The next event will be led by Jocelyn Cohen and be about ancient trees in the British Landscape. This is such …

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Oct29

The Amelia Project – Episode 88: Didius Julianus

Friends of mine write a sitcom podcast called The Amelia Project (I wrote about this years ago, when they started it….!) December 2024 I had some fun playing the tiny part of Fornio in episode 88 – Didius Julianus. I have not listened to the episode yet, as I am clearly not an actor… and the thought of listening to my dulcet tones for the few minutes I’m in it just… makes me feel ill. But the recording and being in the studio was great fun, the real actors were hilarious and the script is brilliant – not just funny, …

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