THE MODERN MINT BLOG
In Gardens Illustrated magazine a few issues back, they had an interview with Midori Shintani, the Head Gardener of Tokachi Millenium Forest. (You can find photos of the work done by designer Dan Pearson in the Millenium Forest here, at his website.)
She told the story of how she came to be there with great eloquence. She had learned the tea ceremony, ikebana and calligraphy before studying horticulture – “I enjoyed the course, but I still did not know what I should become… for 11 years I struggled to choose my path.”
This is the case with a lot of people, and sometimes trying to second guess what you want to be becomes a ridiculous merry-go-round that is hard to get off from. We look at our own path from labourer to playwright to stand-up comedian to gardener and… well, who would have guessed life would take us in such a direction? And who is to know where it goes next?
A lot of the places Midori Shintani worked had creative undertones (a design office, an art gallery) and you see this a lot in people who eventually end up gardening – it is work that allows for independent thought, so offers that crucial edge, that free-form outlet for your dreams and passions that other vocations may not.
After time in Sweden working at a garden she arrived back to Japan and had to train intensively – “I was in my 30’s so I needed to get the experience more quickly.”
She then ended up working at the Millenium Forest, as head gardener. Dan Pearson speaks highly of her, as a perfect fit for the garden. She herself seems to believe she has finally come home – “This really is the place where I can fully be myself.”
But the moment we loved most from the interview was what she said about how the garden is managed.
“This garden is a bridge between humans and nature. We use minimum tools, minimum management, but maximum vision. We have a mission to introduce a new garden movement. The potential is exciting.”
We highlighted the words that struck us so hard – we use minimum tools, minimum management. This is a beautiful thought, and if acted out well it is a philosophy of gardening that suits modern life – a sensitive hand to deal with nature, as little fuss as possible over what you use to do it.
We hope Midori Shintani will speak more about her way of gardening in the future. It is a way we feel a strong urge to follow.
Over the last two years I have been involved with a couple of projects that have ended up being recorded, then placed on Youtube or Instagram. I’m hoping they will be useful to you, so I have decided this morning to pop them together in one handy blog post so that you can bookmark the page and revisit when you need some inspiration for your topiary. See below then, a few videos about topiary I have recently been involved with… Garden Masterclass – Provocations of a Modern Topiarist Transforming Topiary Topiary Teacher Put On The Spot https://www.instagram.com/p/CTj-EfOKRL6/ In the above …
Mark Zlotsky is an artist based in New York, and today I just wanted to share his project ‘Topiary Tango’. In his introduction to the project he talks of topiary being a forgiving art, which I love and is soooooo true…..! For proof, just take a look at some projects I have made with a sharp pair of shears, a hedgetrimmer and a pruning saw. Do check out Mark Zlotsky’s project, because although his interest began by looking at topiary through the prism of architecture and the relationship of one building to another, he touches directly onto a way of …
Gardenista, the online magazine about gardens and design, have interviewed me about topiary. The article is called ‘Rethinking Topiary: A Garden Tradition Loosened Up’ and was published this morning. Written by the excellent garden writer Clare Coulson, I share some thoughts on using deciduous plants, how to clip (name-dropping Anne Lamott and her book on writing at one stage… oh, how I wander off subject sometimes!) and how to improve topiary by what you plant around it. Do take a look at the article in Gardenista. Or for more about my topiary work, check out the topiary page.