THE MODERN MINT BLOG

Nov12

Compost = “To Place Together”

Looking online for where the word compost comes from, we found it originates in ‘composite’.

‘Com’ = together

‘Ponere’ – to place

To place together.

The perfect word for compost, the black gold of the garden.


 

 

Quick Modern Mint tip for making compost:

Place together a 50/50 mixture of green garden arisings (grass, flowers, vegetable peelings, stems) and brown, dry arisings (woody stems, cardboard, leaves, coffee grounds.) No cooked foods as it encourages rats.

Occasionally turn this heap with a fork or spade.

Leave for enough time and you will have compost to add back onto your garden.

Your garden will appreciate this.


Inspired by this idea of placing together, below are suggestions from garden writers to help you make thoughtful, horticultural compost… enjoy!

 

If we take a field that we don’t cut or graze with livestock, the grass will become long and tufty, and then perennial plants such as bramble will appear. Next come the pioneer tree species such as birch and willow. These colonise the area quickly but will only form a temporary canopy, and over time the climax canopy species, such as oak, beech or ash, will find their way to the top and become a canopy layer. This is what we refer to as ‘nature’s climax’.

Unkown author.

Species that enjoy similar ecologies will almost always look good together… a natural piece of North American woodland, for example, would boast trilliums and smilacina; in Europe, solomons seal and hellebores might occupy the same niche; and in Asia these might be replaced by meconopsis and epimediums.

But in a garden, it is easy to bring all these together, like a horticultural melting pot, and to come up with a ravishing woodland garden.

And if plenty of our own natives are added – not just popular plants like bluebells and primroses, but also hedge garlic, figwort, even dog’s mercury – then the garden has ecological as well as aesthetic value.

Nigel Colborn.

A biennial cut (of your meadow) allows the eggs and pupae of grassland species (of butterfly) to overwinter in long grass.

An annual cut during autumn allows plants to seed, areas cut three times in one year encourage nectar rich flowers and grass maintained at 4 inches high encourages low growing flowers.

Anne Swithinbank.

Green walls make spaces of monastic quiet and calm.

The house is modest but beautiful inside and out.

… clean spaces filled with light inside…

Rather as though one has stumbled upon an attic full of beautiful, yet slightly forgotten, objects or into a sculptors studio filled with work in various stages of completion.

The Wirtz’s use the garden to test the hardiness of plants and simply how they grow before using them for clients.

The horitucltural skill is worn very lightly indeed.

Here are flowers too. Lots of them. But no traditional borders. Everything has a utilitarian shape about it. They grow their flowers in rows and do so even in the gardens of their clients. This might sem brutally functional, but… Jacques is right when he says that a ‘good selection of perennials is always beautiful when planted in rows.’

The flower garden thus takes on the easy confidence of an allotment…

So delphiniums, nigella, cornflowers, roses, swetpeas, azaleas, weeping cherries, irises… are all in merging blocks… tulips and peonies each have their own blocks in amongst the topiary and then are left to die back gently.

It does not look abandoned or negligent.

Things have simply moved on from their moment, like coming across a patch of bluebells gone to seed in a wood.

Monty Don on Jacques Wirtz.

This is a composition (note: to place together), an arrangement.

I wanted to bring aspects of my childhood. I decide that I wanted to have living art, utilising a lot of indigenous art material – in a formal concept. That’s what I like.

My main criteria is to be water-wise… what I have now is really who I am. My garden is a complete expression of myself.

I enjoy recycling. It’s very imporatnat to me. Even a lot of the plant material is recycled. I rescue them wherever I can.

I take what I have and explore. Once I have the plant it will tell me what to do. I don’t want to have special plants that need extra protection. That’s for the collector.

I have really worked with the conditions.

Garden Designer Henk Scholtz.

I rarely build walls. I much prefer hedges. You can do so much with them. You can hide a view or make a window. You can use hedges as visual axes through a garden or divide up a garden with them like the walls of a house. They can be straight and formal or informal and organic.

A lot depends on the way you clip them. You can play around with different heights and widths.

Arne Maynard.

Why have organic flowers when you don’t eat them? (Because) it is a choice of how we treat the landscape…

Amy Stewart on Cut Flowers.

Hope these words provide you with great compost!

 

Mar16

Modern Topiary, the Book, at Garden Media Guild

My book about topiary, Modern Topiary, has been mentioned on the Garden Media Guild newsletter…. As the screenshot says, the book can be read for free online here. At the bottom of the screenshot, it looks like another Garden Media Guild member has a book out called ‘A Year In A Cottage Garden’…. so if that is where your garden heart lies, check that out too! And at the top of the screenshot, it looks like I was listening to Pelleas et Melisande, by Debussy. What a classy chap I am, listening to classical music as I reply to emails. …

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Mar09

Start of the Whitby Topiary Library

I have been offered a space here in the centre of Whitby, south-facing aspect, with some raised beds in, so that I can make a Topiary Library. In my head, a topiary library is a place to showcase the common (and then not so common) shapes you can make out of topiary. With classical topiary plants, as well as some more unusual pieces. This Topiary Library can act as a reference for people to learn more about pruning and clipping. The space is small but the aspect is great and the beds are deep enough to put some plants in. …

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Mar09

Delivery After Dark – From the Makers of The Amelia Project

Last week I spent most nights stood in cold water streams on the moors of North Yorkshire, helping to film a new project called Delivery After Dark from the makers of the Amelia Project. I worked on the Amelia Project back at the end of 2024, lending my terrible vocal talents to a small part in the episode Didius Julianus. But this project is something new – and exciting! – and thankfully only needed me to be filmed, rather than to actually say anything. But not only did I have to stand in cold moving water at midnight, I also …

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