THE MODERN MINT BLOG
A new year, so time to share a few thoughts on what I will be looking at doing with topiary, and the focus on teaching I would like to put in place, for 2026 and beyond.

Above is Nandina, made by a student of ours from the European Boxwood and Topiary Society. She took a year to work on this, taking a plant not renowned for being a good topiary plant, but seeing what its weirdness is and what values it does have, then exploring and exploding those.
I am thrilled by this. Not just this look for autumn. A shiny-leafed, red and green Christmassy feel in darker days. But more so the values I want from students being embodied by the student in order to make this:
Committing to work with what you’ve got. In this case, a non-traditional topiary plant in Nandina.
Looking at what the Nandina offers – the straight stems, that are then shown off. The lanced, shiny leaf. The contrast this creates with the fluffly white flowers which then become these reflective red berries. The best parts of the plant, shown off by thoughtful pruning.
The thought process behind the design. How to use contrast to create a shape that works.
This is what I love about teaching. There is only so much you can do with a student. The work is to give everybody who is there the foundation skills they need to make and think about topiary. But when a student is keen, is driven, then opening the door for them to burst through is such a pleasure to watch. Which is exactly what has happened with this student. Our role at the EBTS was just to encourage effort, to keep nudging her to stay committed to the process. Whether it worked out at the end, well, we can never be completely sure. But this did. And being Nandina, it happened quickly. One of the benefits of using non-traditional topiary plants is that they might be quicker growing, which makes up for their lack of ‘classiness’ and ability to be reinvented over time. Decades often, in the case of plants like Taxus and Buxus.

The above is a topiary in the garden of my mentor, my teacher, theQueen of Topiary Charlotte Molesworth.
What she did for me is the following:
She gave me the base skills I needed to be able to clip well.
She gave me the opportunity to clip. To prune and to maintain and to make as many topiaries as possible.
A high standard to clip to, to achieve, to drive towards.
Looking back, this was the simplest and best thing that could have come my way. It changed my life. I was gardening and interested in topiary, trying my hardest to find pieces to work on and convince clients to follow the vision I had. Although without the portfolio and experience to make it happen… with confidence. But from meeting Charlotte Molesworth and getting to work in her garden and help on her work I then had the opportunity to specialise. To learn fast. And it was tough. I had to put myself out there, commit, get things wrong, learn by doing…
But I was given the opportunity.
Opportunity is everything. Artists in the ‘olden days’ and I’ll let you decide what that means, because I’m not really sure of dates and I don’t much care to spend time researching it, because the point isn’t about historical accuracy, the point is about – painters would work with a master. To learn and experience everything that was going on. Being there with someone was a way of learning craft.
And that is what I want to setup for people. Opportunity.
So much of what we read and hear, so many of our cultural vitamins, are from the likes of Donald Trump and Nigel Farage. Men who commit to nothing but their own gain, their own ability to snake around any real values and just loot as much as they can from those with less. This is dull, boring, pathetic. These are not the cultural vitamins I want to be given each day. That I want to be taking in.
The future of Modern Mint, and my work, is going to be less maintenance, and more making and renovating of topiary.
Then teaching other people how to maintain and improve what has been made.
This means I can share the important skills that I have been given – the chance to learn my craft, to pay attention to quality over speed, to work efficiently (which then gives you speed!), to connect with people and to lean into and earn a lvoe for the pysical work and the act of creation.
Exciting times for 2026 and ahead. I have no idea how to make this happen just yet. But this is where I am headed. Hurray for the new year, and topiary teaching for 2026!
Topiary Workshop 2026 at Waltham Place
The next topiary workshop I will be teaching is now live on the website and can be booked! Just visit Waltham Place to get a ticket for the Topiary Workshop I will be teaching on Friday September 4th at Waltham Place. Myself and Chris Poole of the European Boxwood and Topiary Society (Buxus expert! Like, he knows everything there is to know about the plant! So worth booking just to tap into his knowledge….!) will be teaching here for the… fifth year in a row I think? The garden is a beautiful place to spend time clipping. We will teach …
Michael Gibson, New York Topiary Art!
In the New York Times earlier this year was a lovely interview with Michael Gibson, who makes topiary and gardens in New York. The article is here but you may not have access… however, search the internet, find it and have a read. It is great! His philosophy of pruning is especially worth it… Sacred geometry in topiary? Yes please! What a phrase! I think (and speak) of balance, of major and minor, of leaf volume… but sacred geometry might well make it into my topiary teaching lexicon! And the idea of directional trimming? I realise I do this, but …
Topiary Library
I do a lot of teaching topiary. I had the opportunity from my mentor, Charlotte Molesworth, to work on her garden and experiment and test techniques and generally try making shapes without the worry of failure, or being fired, or being sued and run out of business for getting it wrong. This opportunity was essential (along with Charlotte’s insistance that pruning standards had to be high!) in becoming better at topiary. When I look around the world at our cultural vitamins, what we see in the media day in and day out, I see the stupidest and grossest of people …
