THE MODERN MINT BLOG
Topiary Library
I do a lot of teaching topiary. I had the opportunity from my mentor, Charlotte Molesworth, to work on her garden and experiment and test techniques and generally try making shapes without the worry of failure, or being fired, or being sued and run out of business for getting it wrong.
This opportunity was essential (along with Charlotte’s insistance that pruning standards had to be high!) in becoming better at topiary.

When I look around the world at our cultural vitamins, what we see in the media day in and day out, I see the stupidest and grossest of people (men, mostly) shouting loudly and looking smug, and pressing the belief on people that life is a zero-sum game, and they must take it all in order to win… and for you to get some of it, fall into line.
This seems anathema to what I think about life, and it makes me feel sick.
So?
I want to fight this (lack of) cultural vitamins we are bombarded with every day, by offering opportunity to people who could do with it. Unlock the door and, if someone is keen, they will head through it. My turn to offer opportunity, the way Charlotte Molesworth did for me all those years ago.
So I wish to start a Topiary Library – a piece of land with topiaries on, from basic shapes of balls and cones, duos and spirals, to traditional figurative pieces like birds and dogs, to the aesthetic pruning style seen in California to the wacky, extreme shapes that grow organically from the chaos that working with a living thing can demand you create.
This piece of land needn’t be too big – 10 square metres is sufficient – or, what? 40 topiaries? That should be enough.
They don’t need to be traditional plants either – boxwood and yew are fantastic, but oak, hawthorn, pyracantha, birch – these will all work too.
Because this is a place for people to have the opportunity to clip. To experiment. To learn by having to commit to pruning, then making choices about what to cut and where, and then doing it.
I envisage the Topiary Library (a Library becasue it is a reference garden for topiary shapes, plants and pruning styles!) to work like this:
- Plant cheap hedging plants in the Autumn.
- Water and mulch around the plants. Provided by the landowner.
- Leave the topiary plants to settle through winter. No more water necessary, the plants will have to make do through winter and summer!
- April/May begin to clip with a student who has taken a beginners course, or who is ready to take this opportunity. Mulch again.
- September/October clip and mulch again as necessary with the student.
Allow the plants to gain density of leaf and branch, to improve their shapes. Take photos and share on the European Boxwood & Topiary Society website, my website (if I have time to write a blog and share it!) and at talks and in teaching to showcase what can be achieved with these plants when used as green architecture in the garden.
In addition, this Topiary Library could be used by those keen on soil science to study carbon capture, or those who wish to note wildlife and the affect topiary has – beneficial? I think so! But would love the data to back this up! – on benefiting birds, bees and other wildlife.
The end of this project would probably be 5 years down the line, to dig the plants up and sell them. Or to leave them in place, for others to use, clip and enjoy.
I have some money set aside to buy some plants, some time free in my diary to offer teaching. But what I don’t have is the land, the space, in which to make the Topiary Library. Nor do I want to invest in land – I want to invest in people, to give them the resources to learn, to go through the door!
So if you have a piece of land, some space, or some topiaries or an old hedge or even some shrubs that could do with being pruned, and you don’t mind what they might become, and are happy for a student to work on them, to be a part of gifting an opportunity to a keen topiary maker, then… contact me and we can discuss how to work together on this project.
It would be wonderful to have a number of satellite ‘Topiary Libraries’ around the the UK (or abroad?) that would circumvent the need to spend money on land, and instead allow resources to be given to people.
To fight the gross cultural vitamins we see everyday and offer opportunity, skills, and a sense of fun in creativity that topiary can give a pruner.
Hope to speak to you soon about the opportunity for a Topiary Library.
Michael Gibson, New York Topiary Art!
In the New York Times earlier this year was a lovely interview with Michael Gibson, who makes topiary and gardens in New York. The article is here but you may not have access… however, search the internet, find it and have a read. It is great! His philosophy of pruning is especially worth it… Sacred geometry in topiary? Yes please! What a phrase! I think (and speak) of balance, of major and minor, of leaf volume… but sacred geometry might well make it into my topiary teaching lexicon! And the idea of directional trimming? I realise I do this, but …
Clipsham Yew Tree Avenue
With Chris Poole of the European Boxwood and Topiary Society we visited Clipsham Yew Tree Avenue in Rutland. Do you know it? Amazing place! Chris and I were teaching a topiary workshop in order to give local people the skills and technique, and tenacity! to help with the pruning of the avenue and elevate it to something even more special than it already is. Read more about the workshops here. We hope to run a further workshop in September 2026, as well as teach an advanced course too. Check the teaching page through the year as it will be updated …
Aesthetic Pruners Association – New Talk In December
An organisation I love and have been learning lots from in the last two years is the Aesthetic Pruners Association based in the USA. Sharing knowledge with them about clipping and the overlap – and differences! – in style is something worth exploring, so I recommend a visit to their website and to join onto their events and talks, which are all on Zoom meaning you can access them from anywhere in the world. No excuse not to learn! The next event will be led by Jocelyn Cohen and be about ancient trees in the British Landscape. This is such …
